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Cut, join and refine paths

This guide covers the tools that cut and join paths beyond the Pen, Scissors and Knife: the Eraser, the Join tool, Mirror & Cut, Line Cut, Rectangle Cut and the Shaper tool. It also covers the path plug-ins under Object → Plug-ins: Path Precision Tools, Smart Pen and Contour.

Tool Key Place in the Tools panel
Eraser Shift+E Its own group, with Scissors, Knife, Mirror & Cut, Line Cut and Rectangle Cut
Shaper Shift+N Its own place under the shape tools
Join none The Pencil tool’s group, with Smooth and Path Eraser
Mirror & Cut, Line Cut, Rectangle Cut none The Eraser tool’s group

To give a tool a key, or to change one, use Edit → Keyboard Shortcuts…. The plug-in tools have no keys and are not in the Tools panel until you add them (see Add the path plug-in tools to the Tools panel).

  1. Select the shapes you want to erase from. With nothing selected, the Eraser works on every path it passes over.
  2. Press Shift+E to choose the Eraser tool.
  3. Drag across the artwork. A gray band shows where the tip has been, and the tip’s outline follows the pointer.
  4. Release the mouse button. VectorCraft removes the area under the band. A filled shape that the band cuts in two becomes two separate shapes, and an open path splits where the band crosses it. The pieces stay selected.

Press [ or ] to make the tip 1 pt smaller or larger, from 1 pt to 1000 pt.

A dusk harbor with a lighthouse on a dark headland, two teal hills and a coral sun. The Eraser has already cut a channel through the deep teal hill, which is now two selected shapes, and a gray band shows a second stroke part way down the hill with the round tip at the pointer

Double-click the Eraser tool in the Tools panel to open Eraser Tool Options:

Option Default What it does
Angle 0° Turns the tip’s long axis, from −180° to 180°
Roundness 100% Sets the tip’s short axis as a percentage of its long axis, from 1% to 100%. 100% is a round tip
Size Fixed, 10 pt Sets the tip’s width, from 0.1 pt to 1000 pt. Choose Pressure to let pen pressure change it
Variation 0 pt With Pressure, the tip is Size minus Variation wide at the lightest pressure and Size plus Variation at the heaviest

The Eraser Tool Options dialog over the dusk harbor, with Angle at 0°, Roundness at 100%, Size set to Fixed at 10 pt and Variation dimmed at 0 pt

Cut with Mirror & Cut, Line Cut and Rectangle Cut

Section titled “Cut with Mirror & Cut, Line Cut and Rectangle Cut”

The three cutting tools share the Eraser tool’s group. Each one cuts the selected paths and compound paths, including paths inside groups, and does nothing when nothing is selected. The cut shows while you drag and becomes one undo step when you release. Press Esc during the drag to cancel it.

Tool Drag Result
Mirror & Cut Draws the mirror axis. Hold Shift for 45° steps Cuts the paths at the axis, reflects the half you keep across it and joins both halves into one shape. Art wholly on the other side is deleted
Line Cut Draws the cut line. Hold Shift for 45° steps Splits the paths along the line, extended across the art. A filled shape becomes a piece on each side, with its holes kept, and an open path splits where it crosses the line
Rectangle Cut Draws a rectangle. Hold Shift for a square, or Alt (Option on macOS) to draw from the center Cuts the paths to the rectangle’s outline. It does not make a clipping mask. Art wholly outside the rectangle is deleted

The Line Cut tool part way through a drag in the dusk harbor at 110% zoom. A dashed blue cut line runs from the upper left down across both hills and out over the dark water, and the preview splits both selected hills along it, outlined in red, with Properties showing 4 Objects

Mirror & Cut has two options in the Control bar (Window → Control):

  • Axis: Free, the default, draws the axis with the drag. With Vertical or Horizontal, the axis follows the pointer, and a click places it.
  • Keep: Left, Right, Top or Bottom names the side that is kept. Left is the default. When the axis runs across, Left means Top and Right means Bottom. Hold Alt (Option on macOS) as you release to keep the other side.

Two coral channel buoys in the harbor at 130% zoom, with the Control bar showing Axis set to Free and Keep set to Left. The Mirror & Cut tool is part way through dragging a dashed axis down the middle of the selected left buoy, and the preview shows its left half and amber pennant reflected onto the right, while the unselected buoy beside it keeps its lopsided right side and single pennant

  1. Choose the Join tool from the Pencil tool’s group.
  2. Drag across the open ends you want to join. A drag across both ends of one path closes it. A drag across the ends of two paths joins them into one path.
  3. When two open paths cross and their ends stick out past the crossing, drag over those ends. The Join tool trims them and joins the paths where they cross.

The Join tool works on the selected paths, or on every path near the drag when nothing is selected. To join selected ends without dragging, use Object → Path → Join.

An amber mooring line in two selected pieces runs from the headland toward a sailboat, at 200% zoom. The Join tool is part way through a blue zigzag drag across the gap between the two loose ends

  1. Press Shift+N to choose the Shaper tool.
  2. Draw a rough rectangle, ellipse, triangle or other polygon, or a straight line. When you release, VectorCraft replaces the stroke with a clean shape.
  3. To combine or cut overlapping shapes, scribble over them:
    • A scribble inside one area removes that area’s fill.
    • A scribble that runs through several areas merges them, with the fill of the area where it started.
    • A scribble that ends outside the shapes removes the fills and outlines it passed through.
    • A scribble outside the shapes erases the stroke pieces it crosses.

The result of a scribble is a Shaper Group. The original shapes stay in the group, so you can still change them:

  • Click the group to select it, and click again to select one face of it.
  • Double-click a face to switch to Construction mode. It selects the original shape and switches to the Selection tool, so you can move or reshape it.
  • Click the small arrow beside the group’s right side to switch between Face Selection mode and Construction mode.
  • In Construction mode, drag an original shape wholly outside the group to take it out of the group.

A lighthouse of off-white and coral rectangles in the dusk harbor, at 150% zoom. The tower and its lower coral band are a selected Shaper Group with green outlines, the Shaper tool is part way through a blue zigzag scribble that runs from the lower band up into the tower, and the small arrow that switches the group’s mode shows to the right of the tower

Add the path plug-in tools to the Tools panel

Section titled “Add the path plug-in tools to the Tools panel”

The plug-in tools are not in the Tools panel at first. You can choose each one from its submenu under Object → Plug-ins, or add it to the Tools panel:

  1. Click the ••• button at the bottom of the Tools panel. The All Tools drawer opens beside it.
  2. Scroll down to the plug-in headings: Path Precision Tools, Smart Pen, Enclosing Lasso, Contour and 3D Box. Tools that are already in the Tools panel are dimmed.
  3. Drag a tool onto the Tools panel. Drop it between two tools to give it its own place, or onto a tool to add it to that tool’s group.
  4. Press Esc or click outside the drawer to close it.

To remove a tool, open the drawer and drag the tool from the Tools panel into the drawer. Clicking a tool in the drawer chooses it without adding it.

The All Tools drawer open beside the Tools panel, scrolled to its end. The Path Precision Tools heading lists Anchor Eraser Brush, Extend Path Tool, Measure & Inspect Tool, Parametric Shape Tool, Corner Tool, Slide Anchor Along Path and Shared Edge Merge Tool, followed by the Smart Pen, Enclosing Lasso, Contour and 3D Box headings

Object → Plug-ins → Path Precision Tools also opens two panels, the Anchor Inspector and Parametric Shape, and runs the path commands described below. The Measure & Inspect Tool is described in Measure and dimension.

The Smart Pen tool draws paths and edits their points without switching tools. Choose it from Object → Plug-ins → Smart Pen → Smart Pen Tool, and open its panel from Object → Plug-ins → Smart Pen → Smart Pen Panel.

To draw:

  1. Click to place each anchor point. The segment into it is straight or curved, as you set with Next Segment in the Smart Pen panel. Next Segment is set to Straight at first.
  2. Drag to place a smooth anchor point. Hold Alt (Option on macOS) to break off the outgoing handle, Shift for 45° steps, or Space to move the point.
  3. Press Tab to switch the segment into the point you are placing, or the last one you drew, between straight and curved.
  4. Click the first point to close the path, or click an end of another open path to join the two. Press Enter or Esc to leave the path open.

A sailboat at sunset at 150% zoom, with its mainsail part way drawn with the Smart Pen tool: two straight sides and a curved edge rising to the top of the mast, and a readout of distance and angle beside the pointer. The Smart Pen panel is open with Next Segment set to Straight

To edit a path with the same tool:

Action Result
Click a point Selects it. Shift-click adds it to the selection or takes it out
Drag a point Moves it. Hold Shift for 45° steps
Alt-drag a point (Option-drag on macOS) Pulls out its outgoing handle
Alt-click a point (Option-click on macOS) Removes it and keeps the shape
Shift+Alt-click a point (Shift+Option-click on macOS) Deletes it and leaves the handles beside it
Double-click a point Switches it between smooth and corner
Drag a segment Reshapes it
Alt-click a segment (Option-click on macOS) Adds a point

The Smart Pen panel also has Remove Points, Keep Shape, Make Smooth, Make Corner, Retract Handles and Close or Join for the selected points.

Choose these tools from Object → Plug-ins → Path Precision Tools, or add them to the Tools panel. The Extend Path Tool, Slide Anchor Along Path and the Corner Tool work on paths whether or not they are selected. The Anchor Eraser Brush works on selected paths only.

  • Extend Path Tool: drag an end of an open path to carry the path on in the direction it runs, or drag back along it to shorten it. A dashed line over an end shows how it would continue. Press E to cycle the mode, and hold Shift to change the length in steps of the keyboard increment. Double-click the tool to set its Mode: Straight (the default), Stretch Curve or Arc.
  • Slide Anchor Along Path: drag an anchor point to move it along the curve it sits on. VectorCraft refits the two segments beside it to the outline they had before. Hold Shift to stop where the path’s direction is a multiple of 45°. The ends of an open path do not slide.
  • Anchor Eraser Brush: paint over selected paths to remove the anchor points under the brush that can go without changing the outline by more than the Tolerance. VectorCraft refits the handles of the anchor points beside them. Hold Alt (Option on macOS) to remove every anchor point under the brush that can go, whatever the Tolerance, or Ctrl (Cmd on macOS) to delete them without refitting the curve. Press [ or ] to resize the brush. Double-click the tool to set Size (1 to 2500 px, default 20), Tolerance (1 to 100, default 10) and Pressure.

A fishing rod over the end of a pier at 220% zoom. The Extend Path Tool is part way through dragging the end of the lavender fishing line down toward a coral float, and a readout beside it shows the line’s new length and the change

The Corner Tool menu item chooses the tool and opens the Anchor Inspector panel, whose Corners section has the tool’s Radius (10 pt to start) and Corner kind. With a path or some of its anchor points selected, Apply to Selected Anchors rounds the selected corners with that radius and kind, and Set Corners… opens the dialog described below. Both buttons are dimmed when the selection has no corners.

  1. Point at an anchor point that can take a corner, and click to round it with the tool’s radius and kind. Drag instead to size the corner. Hold Shift to keep the radius to whole units.
  2. To change a corner, click the marker at its center to select it, then drag the marker. Drag it to 0, or double-click it, to remove the corner.
  3. To round every anchor point in an area, hold Alt (Option on macOS) and drag a marquee around them.

An amber boathouse on a teal hill at 280% zoom, its two eave corners already rounded. The Corner Tool is part way through a drag at the roof’s peak, which rounds it with a readout of the radius, and the Anchor Inspector panel shows the Corners section with Radius 10 px, Corner set to Round, Apply to Selected Anchors and Set Corners

To round many anchor points at once, select a path or its anchor points and choose Object → Plug-ins → Path Precision Tools → Set Corners…:

Option What it does
Radius Sets the size of each corner
Corner Round, Inverted Round or Chamfer
Anchors All Anchors, Odd-Numbered Anchors or Even-Numbered Anchors
Angle Rounds only the corners whose angle is within this range, from 0° to 180°

The canvas previews the corners while the dialog is open.

The Set Corners dialog with Radius 12 px, Corner set to Round, Anchors set to All Anchors, Angle 0° to 180° and Preview on. Beside it, the selected amber boathouse shows every corner of its outline rounded in the preview

Open the panel from Object → Plug-ins → Path Precision Tools → Anchor Inspector, and direct-select anchor points to edit them:

  • X and Y move the first selected anchor point. In and Out set the length and angle of its handles.
  • Make Smooth, Make Corner, Equalize Handles and Remove Points, Keep Shape change the selected points.
  • Add Points adds the number of points you set (1 to 100) to each selected segment.
  • Close Path closes an open path with Keep Handles, Straight or Smooth.

A sailboat at sunset at 150% zoom with the Direct Selection tool, and the lower outer corner of the amber jib direct-selected. The Anchor Inspector panel shows Anchors selected: 1, with X 1104.5 px, Y 725 px and In and Out handle lengths of 0 px

Split paths where they cross, and divide them into dashes

Section titled “Split paths where they cross, and divide them into dashes”

Select the paths, then choose a command from Object → Plug-ins → Path Precision Tools:

Command What it does
Add Points at Crossings Adds an anchor point wherever the selected paths cross one another
Split at Crossings Adds the anchor points and cuts the paths there
Divide into Dashes… Cuts each path into separate open paths of equal length along its curve
Expand Dashes into Paths Turns each dash of a dashed stroke into its own open path, with empty space where the gaps were. Paths without a dashed stroke do not change

Divide into Dashes… previews the pieces on the canvas and has these options:

Option Default What it does
Dash 10 pt Sets the length of each piece
Gap 0 pt Sets the space between pieces. At 0 the pieces touch
Fit to Corners and Ends Off Stretches or squeezes the pieces so each run between corners and ends starts and ends on a whole dash
Remove Gaps On Leaves the gaps empty. When it is off, the gaps become pieces too. Available when Gap is more than 0

The Divide into Dashes dialog with Dash 24 px, Gap 12 px, Fit to Corners and Ends off, Remove Gaps on and Preview on. Below it, a selected cyan ferry route across the bay shows as separate dashes in the preview

The pieces keep the path’s appearance and stay selected. When you have direct-selected some segments, only those segments are divided.

The Shared Edge Merge Tool cleans up the edge between two shapes that touch, such as two neighboring areas of a map.

  1. Choose Object → Plug-ins → Path Precision Tools → Shared Edge Merge Tool. The Anchor Inspector panel opens with the Shared Edges section.
  2. Point at the place where the two paths meet. The two stretches of outline show as dashed lines, and the merged edge shows as a solid line, green when the edge is already merged.
  3. Click to replace both stretches with one edge, halfway between them. Hold Shift to follow the upper path, or Alt (Option on macOS) to follow the lower one.

Where the two paths do not yet share anchor points at the ends of the edge, a click makes one: nearby anchor points meet halfway, and a path that lacks one gets an anchor point to match. In the Shared Edges section, Diameter sets the brush size (0.25 pt to 200 pt, default 20 pt) and Coincidence sets how close two anchor points must be to count as shared (0 pt to 3 pt, default 0.002 pt). Keep Shared Points Together moves shared points together when you slide one.

An amber field and a coral field on a teal hill at 300% zoom, with a thin gap of hill showing between their curved edges. The Shared Edge Merge Tool’s round brush is over the gap, the two stretches of outline are highlighted in blue and the merged edge runs between them in red, and the Anchor Inspector panel shows the Shared Edges section with Diameter 20 pt and Coincidence 0.002 pt

A parametric shape keeps its size, count and other values as numbers that you can change later. It stays editable when you move, rotate or scale it. Once you edit its anchor points, it becomes an ordinary path.

  1. Choose Object → Plug-ins → Path Precision Tools → Parametric Shape Tool.
  2. Drag from the center outward. The length of the drag sets the size, and its direction sets the rotation. Hold Shift for 45° steps.
  3. While you drag, press ↑ or ↓ to change the count or the first value of the shape, and ← or → to change its second value or corner radius.
  4. To place another shape with the last settings, double-click the canvas.

Click a parametric shape with the tool to show its handles for the center, size, rotation, corner radius and the kind’s own value, and drag them. The Parametric Shape panel (Object → Plug-ins → Path Precision Tools → Parametric Shape) shows the same values as fields. With no parametric shape selected, the fields set the next shape the tool draws.

Field What it sets
Shape Rectangle, Ellipse, Polygon, Star, Ring, Arrow, Cross, Heart, Gear or Speech Bubble
Count Sides, points or teeth, from 3 to 1000. Polygon, Star and Gear only
W and H Width and height
Rotation Angle of the shape
Values of the kind For example Inner Radius for a star or a ring, Head and Shaft for an arrow, Tail and Tip for a speech bubble, as percentages
Corner Radius Rounds the corners. Not for Ellipse or Ring

To turn existing shapes into parametric ones, select plain closed rectangles, ellipses or regular polygons and choose Convert to Parametric Shape from the same submenu, or click the button at the bottom of the panel.

Coral starfish in the shallow water of the harbor at 180% zoom. The Parametric Shape Tool is part way through dragging out a new five-pointed star with a readout of its size and angle, and the Parametric Shape panel shows Shape set to Star, Count 5, the width, height and rotation, Inner Radius 50% and Corner Radius 0 px

The Contour tool grows or shrinks a live outline copy of a shape.

  1. Select a shape and choose Object → Plug-ins → Contour → Contour Tool.
  2. Drag away from the shape’s edge to grow a copy around it, or toward the inside to shrink it. The distance is how far the pointer has moved since you pressed. Hold Shift to round it to whole points.
  3. Drag again on a selected contour to change its distance. The tool shows the shape’s earlier outline as a dashed guide.

While the tool is active, a Contour bar above the selection shows the distance, the corner style (Sharp, Round or Square) and Bake. The contour is a live Offset Path effect. Bake, or Object → Expand Appearance, turns it into plain paths.

An amber island with a small palm and a coral hut in the dusk bay at 200% zoom, ringed by a translucent cyan contour for shallow water, with a smaller islet off to the right. The Contour tool is part way through dragging the contour farther out, with the island’s outline as a dashed guide, a +38.90 pt readout, and the Contour bar above showing 38.9 pt with Round chosen and Bake